Author: Clive Aslet
About the book;
This book is a sumptuously produced journey around twelve privately owned country houses, asking what it is like to live in such places today. What role do they play in the twenty-first century? For many years after the Second World War, the country house was struggling. Now a new generation of young owners, often with children, has taken over. They're finding innovative ways to live in these ancient, fragile and poetic places. While they treasure the history and beauty of the houses, they're also adapting and enhancing them for a modern era. Old Homes, New Life is a behind-the-scenes account of today's aristocracy, as they reinvent the country house way of life. Each family does this in its own way, maintaining the tradition of individualism, even eccentricity, which is so much associated with country houses. Dylan Thomas's superb yet intimate photographs capture both the inhabitants of these houses and the spaces they occupy - from State dining to family kitchen, walled garden to attic. This feast for the eyes is accompanied by an equally mouth-watering text by Clive Aslet, based on interviews with family members and his long experience of the subject through his years as Editor of Country Life. The result is an exclusive tour of a dozen spectacular homes.
About the author:
Clive Aslet is an award-winning writer and journalist, acknowledged as a leading authority on Britain and its way of life. He joined the magazine Country Life in 1977 and was Editor for 13 years. Clive's many books include The Edwardian Country House (2012), a reprise of his first book, The Last Country Houses, which was published by Yale University Press in 1982. He has also written on country houses of the American Gilded Age, on British identity, on the countryside, and on the House of Lords. In 2014, Clive published his first novel, The Birdcage, set in Salonika during the First World War. Clive writes for newspapers such as The Times and The Daily Telegraph, and often broadcasts on television and radio.
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